
Cannes Lions is the ultimate celebration of creativity – sparkling under the French summer sun and fuelled by originality, wit, warmth, craft and, of course, rosé. It’s where the industry gathers to recognise the work that’s won hearts and minds through its authenticity and insight with the confidence to communicate clearly and simply.
Yet outside the Palais – on the Croisette and the beaches, in the hotels and private villas where the business of creativity starts to take over – that’s not always been the standard brands have held themselves to. Tempted to go loud, big, competitive and performative – less about the audience and more about the show.
I think we’ll see that gap closing this year. A realignment between what the industry values and how it shows up.

AI in its place.
Last year, AI was impossible to ignore – stealing attention, showing off on every surface, technology as the main event irrespective of its relevance. A lot has changed in this last year – AI novelty and fear have made way for genuine utility, and we’re now seeing smarter brands landing somewhere more interesting and honest: AI as infrastructure rather than spectacle, driving and supporting the experience rather than performative. What that makes possible is something we talk about but is often under-served – experiences and environments designed around what the audience needs rather than what the brand wants to broadcast.

Signal strength over noise.
The more interesting question – and the one 2LK lives day in day out – is what authentic brand expression looks like when you take it out of the playbook and build it in the physical world. Historically, many brands’ Cannes approach has been to turn up the volume and use their spaces to flex. Our Cannes activations are considered: we reduce interference, protect the brand and focus on the human outcome so we can show up environmentally in a way that’s entirely consistent with, and amplifies, every other brand dimension.
When PMG approached us with their inaugural AI & Tech Sandbox on Miramar Beach, we quickly aligned on a “Burning Man meets Serpentine Pavilion meets Hermès flagship” direction to launch their unique community space hosting the most advanced and well curated AI conversations at Cannes. That’s not a technology brief – it’s a sensibility brief. Warm, textural, considered, with resulting wooden structures and organic materials wrapping some of the most forward-thinking content at the festival. The fact that we created an AI-focused activation that feels this analogue isn’t a contradiction – it’s the entire point. The medium is carrying the message.
SiriusXM faces a different but equally interesting challenge – how do you bring an audio brand to life in three dimensions without losing what makes it distinctly itself? The answer is to build a space that feels like the brand sounds. Diverse, energetic and invitational, true and consistent to its personality, whether you’re experiencing it through headphones or standing inside it. No visual noise added for the sake of having something to look at. Just the brand, at full and high ‘fidelity’.
UTA débuts at Cannes this year, bringing the Future of Entertainment to the beach with class and confidence. A curated space celebrating and platforming brands, talent, influencers and creators – operating from a deep understanding of who’s in the room and what they’re here for. No borrowed credibility, no recycled names, no hollow programming filling schedules. Just generous, on-point, hospitality and high calibre content that earns its place.

Content as currency.
For years, Cannes brand content has operated on a volume and fame logic – big names, broad and predictable topics, back-to-back schedules. This year we’re seeing restraint. A recognition that genuine access and insight are scarcer, and therefore more valuable than another familiar face on another well-worn subject. The brands curating carefully this year are treating their audiences’ time and attention as the precious things they are and will be all the more successful for it.
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Live as the only moment without a proxy.
And all of this points to somewhere bigger and hugely exciting. We’re at a moment where every channel has been mediated, optimised and targeted to within an inch of its life, where the question of what’s authentic has become hard to answer. Every interaction has been filtered through something – an algorithm, a screen, a carefully managed persona or facsimile of real life.
Except live. A physical brand experience is still the one moment where the audience decides, in real time and without assistance, whether you’ve got it right. No algorithm softening the edges. No screen doing the flattering. Just a space, a feeling, a vibe – and it lands or it doesn’t. The brands who understand this are treating Cannes not as a backdrop for content creation but as the thing itself – the first and last brand moment of real truth.
This is why we believe the shift toward thoughtfulness, insight, craft and genuine hospitality is not just an aesthetic trend. It’s a response to what audiences – especially the hard to impress ones walking the Croisette – are starting to demand. Show me you know me. Show me you meant it. Show me something worth staying for and talking about tomorrow.
The brands who stand out this year might be more considered than you expect, more invitational than ever and more confident than they’ve ever needed to be. They won’t be asking for your attention. They’ll earn it and they’ll be worth it.
Let’s talk.
If you’d like to discuss supercharging your brand experiences, contact us to make the most of moments that matter.
More reading:
Beyond the rosé: Mastering the ROI of Cannes Lions experiential activations.
MWC26 Barcelona: Two decades of transformation.
MWC26 Barcelona: Reflections on the global connectivity event.